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The Fire in Fiction Passion Purpose and Techniques to Make Your Novel Great Donald Maass 0035313642289 Books

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The Fire in Fiction Passion Purpose and Techniques to Make Your Novel Great Donald Maass 0035313642289 Books

If you're looking for a book that tells you everything about how to be an author, this is the wrong book for you. This has a hundred tips about how to improve your writing, mostly at the level of scenes, not entire stories. That being said, it does that extremely well.

The format of the book is a series of examples and half-page quotes which Donald thought illustrated a point, followed by his commentary.

The last couple chapters were amazing. Second to last chapter was entitled "tension everywhere" and I think improved my abilities as a writer:

"Micro-tension is the moment-by-moment tension that keeps the reader in a constant state of suspense over what will happen, not in the story but in the next few seconds."

And (spoiler) here's the Fire in Fiction, another great concept:

"Originality comes not from your genre, setting, plot, characters, voice, or any other element on which you can work. It cannot. It isn't possible. Originality can come only from what you bring of yourself to your story. In other words, originality is not a function of your novel; it is a quality in you."

My one complaint is that the writing was a bit loose. Sometimes, he'd write for a paragraph about a book of some kind, only to say, "Ok, now we'll ignore that book and talk about something else that author wrote." By the end of my book, my head was swimming after going through SO MANY examples from SO MANY books.

Still, very, very helpful.


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The Fire in Fiction Passion Purpose and Techniques to Make Your Novel Great Donald Maass 0035313642289 Books Reviews

Donald Maass has done it again. Here he guides the reader into the intricacies involved in great writing by highlighting little-known ways to make your manuscript shine. If you are a writer, you owe it to yourself to read this book. While it may not turn you into a Hemingway, the advice Maass offers will give you hope that one day you may come into your own as a writer. Highly recommended!
This book is loaded with helpful, practical ideas to further your fiction writing. Sometimes when I feel stuck, I look in the book for an exercise that will get me going again, and you don't have to agree with everything he says for it to be helpful. Even Donald Maas doesn't agree with Donald Maas. Somewhere I read some of his comments on Robert Goolrick's "A Reliable Wife." He loves it, but it jumps right into one of the main character's background quite quickly. At the same time, in "The Fire in Fiction," he advises that writers withhold background information until page 50! While I agree, seeing the contradiction is liberating. I don't feel I need to slavishly adhere to his advice (or most anyone's), and neither should you. But he knows his stuff. You'll pick up a lot of good stuff.
This guy is the Simon Cowell of novel writing "Did your friends tell you that you can sing? You need better friends!" He has a sharp tongue, but his advice is very clear, and I think it's right on the money. Plus, this book is full of examples from recent novels. I'm actually using the novels he cites as my reading list. One more thing I read Fire in Fiction right after reading another book by Donald Maas called How to Write 21st Century Fiction. Both titles are fantastic, but they are designed to give really precise fine-tuning. If you're just looking for something to motivate you, these are not the books you're looking for.
Following the exercises recommended by Donald Maass in his book, Fire In Fiction, took my writing to another level. If you write and dream of publishing your words, I definitely recommend reading this book and applying the information learned. Seriously changes the way you look at and communicate your story.
I am, by trade, a non-fiction author. But like most of my pack, I've often thought about writing fiction. Having already read this author's Writing the Breakout Novel, I wasn't sure I would learn anything new. I was absolutely WRONG.

I was grabbed from the opening pages. There, Maass talked about why some books from well-known authors, or authors who've written several books in a series go south. Having experienced that phenomenon as a reader I really wanted to understand how to avoid that problem as a writer.

This book is filled with great examples of good writing with explanations of WHY the writing is good. There's also some neat exercises at the end of each chapter that guide a writer in thinking through their own process, as it relates to the chapter's topic, i.e. scenes, character, protagonists, etc.

A great read and one I'll go back and read again.
Where was Donald Maas during the first phase of my fiction writing career?

This book advances The Breakout Novel by going through the modern genres and updating where they stand today, and exploring in depth what creates prose we want to read.

Guess what? It's not many of the things other books tell you.

He also gives away a lot of the common cliches writers submit to his agency. Got a thriller about an unearthed archeological artifact? Scenes where the hero ponders what just happened and decides what to do next?

If you're on the A list, you probably think you don't need this book -- I won't mention any names, but I can think of some big names who've fallen into bad habits.

If you're just beginning, you won't understand it. Get more basic books about plot, point of view and so.

For those of us in the huge space between beginner and A List, this book is a blessing.
If you're looking for a book that tells you everything about how to be an author, this is the wrong book for you. This has a hundred tips about how to improve your writing, mostly at the level of scenes, not entire stories. That being said, it does that extremely well.

The format of the book is a series of examples and half-page quotes which Donald thought illustrated a point, followed by his commentary.

The last couple chapters were amazing. Second to last chapter was entitled "tension everywhere" and I think improved my abilities as a writer

"Micro-tension is the moment-by-moment tension that keeps the reader in a constant state of suspense over what will happen, not in the story but in the next few seconds."

And (spoiler) here's the Fire in Fiction, another great concept

"Originality comes not from your genre, setting, plot, characters, voice, or any other element on which you can work. It cannot. It isn't possible. Originality can come only from what you bring of yourself to your story. In other words, originality is not a function of your novel; it is a quality in you."

My one complaint is that the writing was a bit loose. Sometimes, he'd write for a paragraph about a book of some kind, only to say, "Ok, now we'll ignore that book and talk about something else that author wrote." By the end of my book, my head was swimming after going through SO MANY examples from SO MANY books.

Still, very, very helpful.